Packaging resources

Packaging Material Guide

Board grades, corrugated flutes, rigid greyboard, laminated films and moulded pulp compared on strength, print quality, cost and recyclability.

The Retail Packaging editorial team Updated August 11, 2026 5 min read
Kraft paper bags showing the natural uncoated surface of unbleached board

Material is the first decision that constrains everything after it. Board grade sets what the pack can carry, print behaviour and, to a large extent, cost. This guide sets out what each substrate does and where it disappoints.

Paperboard grades

Paperboard thickness is quoted in points, where one point is one thousandth of an inch.

Grade Thickness Carries Notes
12pt SBS 0.012 in Up to ~1 lb Light cosmetics, confectionery, small retail
14pt SBS 0.014 in Up to ~2 lb The default for most retail cartons
16pt SBS 0.016 in Up to ~3 lb Repeated handling, larger panels
18pt SBS 0.018 in Up to ~4 lb Weight or large format; past this, use corrugated
18pt kraft 0.018 in Up to ~4 lb Natural finish, absorbs moisture
Recycled CCNB 14pt – 20pt Similar to SBS Greyer base, marginally less rigid

SBS is bleached and coated, so it holds fine detail and reproduces colour accurately. Kraft is unbleached — colours print warmer and duller, and white ink needs an opaque underbase.

Corrugated flutes

Corrugated strength comes from the fluted layer, and flute size determines the trade-off between thickness, print quality and load.

Flute Thickness Best for Print quality
F-flute ~0.8 mm Small retail-facing boxes Good
E-flute ~1.5 mm Mailers, retail shippers Good
B-flute ~3 mm General shipping Fair
C-flute ~4 mm Larger shippers Fair
BC double-wall ~6 mm Heavy contents, high stacking Coarse

Specify double-wall past roughly twenty pounds of contents, or where cases stack several high on a pallet for extended periods.

Rigid greyboard

Rigid boxes use 1.5 mm to 2 mm greyboard wrapped in printed or specialty paper. They are hand-assembled, ship pre-formed rather than flat, and cost several times an equivalent folding carton.

What you buy is physical presence — weight in the hand and resistance when the lid lifts. That does more for premium positioning than print ever does. The costs are lead time and freight volume.

Laminated films

Flexible packaging is built from bonded layers, each doing a job: printed outer, barrier middle, food-safe sealant inner.

  • PET/MPET/PE — high oxygen and moisture barrier, opaque, standard for coffee and snacks
  • Kraft/PE — natural paper outer with a barrier inner
  • Clear PET/PE — product visibility, moderate barrier
  • Mono-PE — single polymer family, recyclable through store drop-off
  • Kraft/PLA — certified industrial compostable

Barrier performance sets shelf life, and shelf life sets the price. Mono-material films need filling line adjustment, so trial before converting a live product.

Moulded pulp

Formed from recycled paper slurry, moulded pulp absorbs impact well and recycles cleanly. Its surface is rough and it holds looser tolerances than die-cut board, so it works as a hidden protective layer rather than a visible one. Tooling costs more than a cutting die, so it suits volume.

Choosing by weight and journey

Weigh the product and establish how it travels. Then take the lightest material that survives that journey with margin, and spend the remaining budget on print and finish rather than on board you do not need.

Where a product is fragile rather than heavy, the answer is usually structural. A fitted insert holding the item still does more for damage rates than a heavier outer, and our comparison of board, foam and moulded pulp inserts covers which material suits which product.

Reading a material specification

A complete material line names four things, and a quote that gives fewer is not comparable with one that gives more.

The grade. SBS, CCNB, kraft, greyboard — this tells you the fibre and the surface.

The caliper or flute. Thickness for solid board, letter grade for corrugated. This is what determines what the pack carries.

The coating. Aqueous, grease-resistant, moisture-resistant, or none. This is a separate decision from the board and it is frequently omitted.

The liner, on corrugated. White-top or kraft, coated or uncoated. It affects both print quality and how the board handles moisture.

Matching material to failure mode

The pack is failing by The material answer
Crushing in a stack Heavier flute, or double-wall
Going soft in storage Moisture-resistant coating
Grease showing through Grease-resistant coating or greaseproof liner
Cracking at the crease Higher residual moisture, deeper crease profile
Delaminating after cold storage Coated liner, cold-tolerant adhesive
Contents damaged, box intact Not a material problem — fit an insert

That last row is the one worth remembering. A material change cannot solve a movement problem, and it is the most common misdiagnosis in packaging specification.

Barrier films

  • Kraft/PE — natural paper outer with a barrier inner
  • Clear PET/PE — product visibility, moderate barrier
  • Mono-PE — single polymer family, recyclable through store drop-off
  • Kraft/PLA — certified industrial compostable

Barrier performance sets shelf life, and shelf life sets the price. Mono-material films need filling line adjustment, so trial before converting a live product.

Moulded pulp

Formed from recycled paper slurry, moulded pulp absorbs impact well and recycles cleanly. Its surface is rough and it holds looser tolerances than die-cut board, so it works as a hidden protective layer rather than a visible one. Tooling costs more than a cutting die, so it suits volume.

Choosing by weight and journey

Weigh the product and establish how it travels. Then take the lightest material that survives that journey with margin, and spend the remaining budget on print and finish rather than on board you do not need.

Where a product is fragile rather than heavy, the answer is usually structural. A fitted insert holding the item still does more for damage rates than a heavier outer, and our comparison of board, foam and moulded pulp inserts covers which material suits which product.

Answers

Related questions

How do I choose a board grade?

From the weight of the contents and the journey, not from how the board looks. Weigh the product, establish how far and how roughly it travels, then take the lightest material that survives with margin. Spend the remaining budget on print rather than on board you do not need.

What is the difference between SBS and CCNB?

SBS is bleached virgin board with a coated white surface and the best print reproduction. CCNB is recycled with a coated printing face and a grey reverse. CCNB costs less and prints nearly as well on the front; the grey back is invisible in most applications.

Which flute should I use?

E-flute for mailers and retail shippers, B or C for general and larger shipping, F for small retail-facing boxes where print quality matters. Double-wall only when stack height or contents weight genuinely demand it. Flute choice trades thickness against print quality.

Does recycled board perform worse?

Marginally, at the same caliper. Shorter fibre means slightly less rigidity and slightly faster moisture uptake, and it cracks a little more readily at a crease. Stepping up one caliper restores the performance and usually costs less than people expect.

Why does the same colour look different on kraft?

Because kraft is unbleached and absorbent. Ink sinks in and the brown substrate shows through, so colours read warmer and duller. White needs an opaque underbase to register at all. Design for kraft from the start rather than adapting a design made on white.

When do I need double-wall corrugated?

When stack height goes past roughly five high, or contents exceed around 20 kg. Below that single-wall B or C flute handles most loads. Double-wall costs more and takes more space flat, so it is worth specifying only where the load genuinely demands it.

What is greyboard and where is it used?

Thick rigid board used for boxes that do not collapse, wrapped in a printed paper. It is the substrate behind every rigid box, and its thickness is why a rigid box holds noticeably less than a folding carton at the same external size.

Does a white-top liner matter on corrugated?

For print quality, yes — a white top gives far better colour reproduction than kraft liner. For strength it makes no difference. If the box is customer-facing it earns its cost; if it goes to a warehouse it usually does not.

Can I mix materials in one pack?

You can, and it is often the right functional answer, but it affects recyclability. A carton that is entirely paper recycles cleanly; the same carton with a plastic window and a foil block does not. If a recyclability claim matters, design for a single stream.

What material handles moisture best?

It depends where the moisture is. Ambient humidity needs a moisture-resistant coating; surface condensation needs an exterior barrier; leaking contents need a wet-strength board with a liner. They are three different problems and one specification does not cover all of them.

Next step

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